Tuesday, August 25 at 7pm
Monkey Business – Monroe Centennial Restoration!
Directed by Howard Hawks (U.S. 1952) 97 min. DCP. With Marilyn Monroe, Cary Grant, Ginger Rogers, Charles Coburn.
“Ginger Rogers and Cary Grant reunited, in a film which looks back to screwball’s heyday and especially to Bringing Up Baby. Barnaby Fulton (Grant) is working on a youth formula for a chemical company, but lab monkeys monkey around with the potion. The resulting elixir sends Barnaby and his wife Edwina (Rogers) spiraling back to their wild teens and beyond, with Marilyn Monroe’s curvaceous secretary Miss Laurel causing a certain amount of bad blood between them.” – British Film Institute
“It would be tempting for contemporary audiences to find Monkey Business’ reiteration of Monroe’s dumb blonde character sexist and, by extension, class Hawks as a sexist director, but the intentions of the film are complicated. Hawks’ strengths and weaknesses hinge on his non-intellectual approach, what Robin Wood calls ‘his intuitive response and spontaneous involvement.’ As a result, Monkey Business reflects many of the latent attitudes of post-war America. This, coupled with Hawks’ intuitive practice of building gags upon gags until they reach their logical conclusion, leads the film down some strange corridors…”
– Andréas Giannopoulos, Senses of Cinema
Tuesday, September 1 at 7pm
Resurrection – Area Premiere!
Directed by Bi Gan (China 2025) 159 min. DCP. With Huang Jue, Jackson Yee, Li Gengxi, Mark Chao, Shu Qi. Chinese with English subtitles.
With his senses-ravishing third feature, visionary director Bi Gan takes his deepest plunge yet into the realm of pure cinematic dreamscape. In a world where humans have forsaken dreams in exchange for immortality, a dreaming monster (Yee) embarks on a shape-shifting odyssey through illusion, beauty, and terror that takes him across the twentieth century and to the end of time. Unfolding in five dazzlingly imagined chapters that encompass everything from silent-cinema expressionism to film noir to a delirious vampire love story shot in one of Bi’s signature long takes, Resurrection is a work of breathtaking imagination in which cinema is the ultimate portal to the unconscious mind.
“What makes the film especially delectable is that Bi Gan changes visual styles and narrative techniques throughout this movie odyssey… a cinephile’s delight.” – Manohla Dargis, The New York Times
Tuesday, September 8 at 7pm
The Other Love – New Restoration from Nitrate Negative!
Directed by André de Toth (U.S. 1947) 99 min. DCP. With Barbara Stanwyck, David Niven, Richard Conte, Gilbert Roland, Joan Lorring.
Based on an unpublished short story by Erich Maria Remarque, The Other Love explores the existential themes of love and death that recur throughout his novels. The plot concerns a concert pianist, Karen Duncan (Stanwyck), convalescing from tuberculosis in the Alps, who is tempted by a short, adventure-filled life as opposed to the sedate existence in the sanatorium that offers her a chance at a future. She must choose between two lovers: her doctor (Niven) and an impetuous race car driver (Conte). Director André de Toth, though better known for helming gutsy and tense low-budget Western and film noir projects than for high-fashion “woman’s pictures,” guides his stellar cast, as well as cinematographer Victor Milner and composer Miklós Rózsa, to deliver a moody and melodramatic gem. After the premiere and preview screenings of the film, the original longer ending was replaced with one deemed more palatable to American audiences for its general U.S. release. This original version, now restored, has not been seen by audiences since the 1940s. — UCLA Film & Television Archive Head of Preservation Jillian Borders Restored by the UCLA Film & Television Archive with funding provided by the Century Arts Foundation.
Tuesday, September 15 at 7pm
Distant
Directed by Nuri Bilge Ceylan (Turkey 2002) 110 min. 35MM. With Muzaffer Özdemir, Mehmet Emin Toprak. In Turkish with English subtitles.
Winner of the Grand Prix at the 56th Cannes Film Festival, where its two leads, Muzaffer Özdemir and Mehmet Emin Toprak, also shared an acting prize (the latter had been tragically killed in a 2002 car accident), Ceylan’s international breakout is a closely observed, contemplative dual portrait of an odd couple: Mahmut (Özdemir) is an arrogant, depressive photographer recently abandoned by his wife; Yusuf (Toprak), his recently unemployed country bumpkin relation who, while looking for work in the big city, becomes a not-particularly-welcome guest in Mahmut’s minimalist chic Istanbul apartment. The chill in the air of the Turkish metropolis in winter is palpable, here; so too, the lonely ache of these two men so unsuited for companionship, and so in need of it. Heartbreaking. – Metrograph Pictures
“A movie like this touches everyday life in a way that we can recognize as if Turkey were Peoria.” – Roger Ebert, Chicago Sun-Times
“A movie of quiet revelations…thoughtfully orchestrated and filled with visual wit. Although his mood of rapt sadness is his own, Turkish auteur Nuri Bilge Ceylan is working in the tradition of Michelangelo Antonioni’s early-‘60s (feel for bourgeois estrangement), Yasujiro Ozu (exquisite, unshowy compositions), Robert Bresson (precise use of sound), Abbas Kiarostami’s early-‘90s modernism, and even Jacques Tati (deadpan humor).” — J. Hoberman, for The Village Voice & the New York Times